Top 12 Favorite iPad Shortcuts

tech tips for writersTech Tips for Writers is an occasional post on overcoming Tech Dread. I’ll cover issues that friends, both real-time and virtual, have shared. Feel free to post a comment about a question you have. I’ll cover it in a future Tip.

I find iPads awkward to write on. For one thing, they’re not geared for a keyboard. That’s not to say you can’t use a keyboard with them. What I mean is they’re designed for swipes, flicks, taps, and squeezes. The keyboard is an afterthought–to accommodate those of us stuck in the dark ages of typing.

Like me.

I’m not even a mouse fan but after decades of trying to get along with it, we’ve come to a companionable arrangement with each other that mixes mouse right clicks and keyboard shortcuts. So, when I got an iPad, the first thing I looked for was the shortcuts. How can I do one flick, swipe, or squeeze and accomplish what five minutes of other movements would do?

Here are my 12 favorites, the ones that save me the most time so I can write more (or read more):

ipad shortkeys

Do you have any favorites?


Jacqui Murray is the author of the popular Building a Midshipman, the story of her daughter’s journey from high school to United States Naval Academy, the Rowe-Delamagente thrillers, and Born in a Treacherous Time, first in the Man vs. Nature saga. She is also the author/editor of over a hundred books on integrating tech into education, adjunct professor of technology in education, blog webmaster, an Amazon Vine Voice,  a columnist for TeachHUB and NEA Today, and a freelance journalist on tech ed topics. Look for her next prehistoric fiction, Survival of the Fittest, March 2019, first in the Crossroads Trilogy. You can find her tech ed books at her publisher’s website, Structured Learning

 

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Interview with Lynne Marino

lm

Lynne Marino’s second book, The Cha-cha Affair, was released in July. She writes humorous fiction and romantic comedies. I’m endlessly fascinated by how my fellow writers define themselves and their work. Lynne was kind enough to indulge my questions.

What kind of writer are you?

I walk the line between humorous women’s fiction and comedy romance. My characters don’t set out to meet a guy, nor do they necessarily want a man in their life. They have other goals and things going on, and then they run into someone they can’t say no to.

If you’re asking if I’m a pantser or a plotter, I do a little of both. I guess that makes me a hybrid author (joke intended).

Do you insist on daily word counts?

No. I do insist that I spend a good four hours a day writing, and another two learning about marketing. I will often put on a timer for forty-five minutes, take a fifteen minute break, and then start writing again. No cheating is allowed, like when I was a kid and moved the timer up during piano practice. I was the master at shaving a good ten minutes off that timer.

Did you study writing in school?

No, I studied child development and family systems. It comes in handy when you’re writing about internal conflict and the character’s motivations.

Do you edit as you go or force out a whole first draft first?

I write about sixty pages and then do a rough edit and revision. It helps me clarify where the story is going, and if that’s where I wanted it to go.

Do you write in silence or with music?

Silence. It’s golden.

Do you read in the same genre(s) you write in? Are there particular authors who inspire you?

I read a lot of books, mostly women’s fiction, humorous fiction, and comedic romance. I love novels that really walk the line between all three.

Some of my favorite authors are Frederik Backman, Markus Zusak, Jennifer Weiner, Elizabeth Susan Phillips, and Gillian Flynn who does not write comedy or romance. These are a few authors that I would pick up anything they wrote without hesitation.

ccTalk a bit about your books. Who do you write for?

I write books about women in crazy situations who have the temerity to try and figure a way out of them, and who have the audacity to search for a happier life. The women in my novels are older with children, careers, and ex-husbands, or, at the very least, have a few romances under their belts. I write for people who want to laugh about life.

Why do you write?

Good question. Because I can’t not write. My head is constantly thinking up stories.

What can we expect to see from you next?

I’m half-way through another comedy romance, the working title of which is “The Third Time’s The Charm”. It’s about two people who grew up next to each other, who’ve pretty much bombed at life and love, and who end up living back in their parent’s houses. The last thing they need is each other, until they come to realize that the only thing they need is each other.

For more information, check out Lynne Marino’s author site.

Google Drawings: Great Free Tool for Writers

writerGoogle Drawings is a free Google Drive-based drawing tool that allows users to create drawings, devise marketing pieces for their writing, brainstorm stories with concept maps, and more.

To use Google Drawings, here’s what you do:

  • Open your Google Drive account; go to New and select Google Drawings (it’s probably located under ‘More’).
  • Insert shapes, lines, an image, or text with the editing tools.
  • When finished, publish the drawing as a stand-alone or add it to a Google Doc, slideshow, or spreadsheet. As with all Google tools, it can be shared with others in a wide variety of methods.

There are a lot of drawing programs available — SumoPaint, KidPix, and TuxPaint to name a few. All are wonderful in their own right and many more powerful than Google Drawings. So why use Drawings? Here are eight reasons:

  • It’s collaborative which is nice if you’re working with a team.
  • Projects are easily shared with others.
  • It syncs between locations so you can start a drawing on your laptop and finish it on your tablet. 
  • It is minimalist which means it is easy to learn, intuitive to use, and with only exactly what you need for most drawings.
  • It’s easy to find. Rather than trying to remember where you created your drawing, Drawings are all saved to your Google Drive. 
  • Edits are easy. Just open the project from Drive and edit.
  • The project can be shared as a link or embedded into many different locations with an embed code found under File>Publish to the web
  • A project can be downloaded as a .jpg, a .png, a vector graphic, or a PDF

Here are eight projects perfect for writers:

Brainstorming, mindmap to plan your story

Create the bubbles and arrows popular to mindmaps with Google Drawings rather than a dedicated mindmap tool like Bubbl.us. Since Drawings allows for collaborating and sharing, it’s easy to brainstorm a story if you’re co-authoring and come up with a collaborative solution everyone likes.

Here’s an example I created:

google-draw-mindmap-brainstorm-k

Comic strip another way to share your story

Create a comic strip trailer for your novel quickly and visually. Here’s an example:

Infographic about your story

Introduce your story with an infographic created in Drawings. Here’s a good video on how to create the shapes required for infographics. Once that’s done, add text boxes to describe your story.

Timeline (events in your plot)

I love timelines but most of the online tools are less than satisfactory (I won’t mention names). Google Drawings has become one of my favorites because of its minimalistic approach–add text boxes to identify events in the story and then add pictures. The example below uses a thick line, text boxes for events, and one picture to sum up the story:

Clickable map of your story

Create a map of the locations in your story. Add a picture that links to a rundown of what happens there in your story. Use this to inspire interest in potential readers.

Here’s an example of a story, based in the USA (though you won’t be able to click the red stars because I’ve uploaded a screenshot only):

plot map in google draw

***

In a literary world where getting noticed is critical, Google Drawings could be exactly the right tool.

More on Apps for Writers:

Digital Storytelling Tools

How to Screenshot

How to Use Canva in Your Writing


Jacqui Murray is the author of the popular Building a Midshipman, the story of her daughter’s journey from high school to United States Naval Academy, the Rowe-Delamagente thrillers, and Born in a Treacherous Timefirst in the Man vs. Nature saga. She is also the author/editor of over a hundred books on integrating tech into education, adjunct professor of technology in education, blog webmaster, an Amazon Vine Voice,  a columnist for TeachHUB and NEA Today, and a freelance journalist on tech ed topics. Look for her next prehistoric fiction, Survival of the Fittest, Spring 2019, first in the Crossroads Trilogy. You can find her tech ed books at her publisher’s website, Structured Learning

Interview with Margaret Ann Spence

Author photo- Margaret Ann Spence

Lately, I’ve been getting to know some of my fellow members of the Women Fiction Writers’ Association. Margaret Ann Spence is a romance writer who recently published her first novel. She answered my questions about writing, editing and publishing.

Tell me about your recent novel. Who is your audience?
My novel, Lipstick on the Strawberry, was published by The Wild Rose Press in 2017. It is women’s fiction. And, by the way, I love that term. Raised in a family of boys, and with three sons of my own, I just relish being in the company of women, real or fictional. My target audience is women aged 25-60. Particularly women who enjoy the domestic arts. The print and ebook book are available from the publisher, Amazon, Barnes & Noble, iTunes, and many other book sellers.

Do you have a critique group or support network? Do you let people read early drafts?
I belong to a bi-weekly critique group. We meet in person, over dinner. Two people (usually) email their manuscripts or portions of manuscripts to the other members the week before. We then discuss the submissions at the meeting and at the end, hand our written critiques to the presenters. We have a dozen members, all writing in different genres. Each person gets to present about four times a year. The discussions are always lively. I also belong to the Women Fiction Writers’ Association, an online group, and a couple of other writing groups who meet once a month for discussion of craft, marketing, etc.

Are you a ‘plotter’ or ‘pantser’? Do you outline a story before writing or make it up as you go?
Combo. I start off with an idea, or rather a couple of ideas that will meld into a story. Have a vague idea of a plot and some main characters. Put that on paper. Then start writing. At first it’s like hammering away at the rock face until a shape emerges. Sometimes I have no idea how it will end until I write it. Other times I know the ending and have to shape the story to get to it.

lipCan you describe your path to publication? Did you query agents? How long did it take?
Lipstick on the Strawberry is my first published novel. But it’s the second novel I pitched and sent to agents. In fact, I started writing Lipstick when waiting to hear back from an agent who had requested the full from the first novel. I had a first draft of Lipstick in a few months, then many revisions, and a contract two years after I started writing it. I met Rhonda Penders, CEO of The Wild Rose Press, at an RWA conference and pitched the story to her, resulting in the publication of the book.

What are you working on next?
My next novel is completely different in setting and characters. It has three point of view characters, three generations of women. I’m deep into it at the moment, powering through to the end. Then comes the fun part, reorganizing and rewriting. I love revision.

For more information, check out her blog.

Interview with Rachael Richey

New profile pic 2013Rachael Richey is a romance writer I met in a critique group I’ve participated in for several years. (I highly recommend joining a group like this, for many reasons.) I’ve been able to read two of her novels, pre-publication, so far. I recently got her to answer a few questions about writing, publishing, and about her new book.

 

Tell me about your most recent novel. Who is your audience?

My most recent novel, Practising for Christmas, is a romantic comedy set at Christmas.  Olivia and her friends are spending Christmas in a remote coastal cottage, and before the others arrive, Olivia discovers an unconscious and very handsome stranger on the beach.  She takes him home to patch him up and it’s when her friends arrive the next day that things begin to spiral out of control due to a case of mistaken identity.  It’s basically a feel good seasonal romcom.  My audience will probably be mostly female, but I do have some stalwart male fans who read all my books.

perf5.000x8.000.inddWhat kind of writer are you? Do you insist on daily word counts? Do you edit as you go or force out a whole first draft first? Do you write in silence or with music? In the morning or at night? What do you do when you get stuck in the writing process?

Wow.  A lot of questions!  Right.  I write when and where the mood takes me.  At the moment I’m going through a bit of a dry patch, but when I’m in the zone (for example, nearing the end of a book), I have been known to write about 20k per week.  Definitely no insistence on a daily word count – that would put me off.  Sometimes it flows, sometimes it doesn’t and you just have to go with it.  I usually read back over my previous day’s work and do a quick edit, but save most of the editing until I’ve finished.  Sometimes I like music when I’m writing, but I’m equally happy writing in silence.  I have been known to do it with the TV on in the background if all the family are in.  I have to fit my writing in around everything else (I long for the day when it is my main job), so I write anytime.  I wrote a lot of my first book at night, between midnight and 4 am, but these days I don’t seem to stay awake so well, probably because I have more early mornings now.  If I get a bit stuck on a plot, the best way to sort it out is in the shower.

Who are some of your favorite authors?

Daphne du Maurier, Kate Morton, Kate Atkinson, Patricia Cornwell, Kathy Reichs, Linda Fairstein, Barbara Erskine, David Baldacci, Sophie Kinsella, Elizabeth George

When did you decide you wanted to be published? How did you go about making it happen? What is the biggest challenge of being published? What’s the best part?

I’ve always wanted to write, right from when I was a small child.   I used to write stories all the time and just assumed that when I was grown-up I would be a published writer.  That didn’t happen for a very long time and I kind of got caught up in other things, then one day in early 2012 I resurrected a story idea I had had a few years earlier, and once I started I couldn’t stop!  As soon as I had finished that one, in about three months, I started a sequel, at the same time editing and then submitting the first one.  By the time I finally got an offer from a publisher (actually from three in one week), in early 2014, I was part the way through the fourth book in the series.  You really do have to be prepared for a lot of rejections though.  I must have had at least twenty, if not more, for the first book.  Don’t be put off.  It’s worth all the rejections when you hold your first published book in your hand, and realise that other people will be getting to know your characters, and hopefully getting to love them.

What are you working on next?

I’m currently working on another romantic comedy, but I have ideas for several other books all fighting for my attention as well.  I’m not sure which one will win yet, but it’ll be exciting finding out.

You can find out more about Rachael Richey here.

Photos For Class–for writers and teacher-authors

photos for classA question I get a lot from readers is where to go for free, teacher-safe images. Photo sites are either too sparse or poorly vetted. And–while we’re on the subject of online images–it needs to be easier to add citations because otherwise, students will just skip that step.

Photos for Class(but not just for classes), brought to you by the folks at Storyboard That (a premier digital storytelling site that quickly and easily enables users to mix avatars, backgrounds, and talk bubbles to tell a story–like your latest book in comic form) does all of these. It uses proprietary filters to search millions of Creative Commons-licensed photos from the Library of Congress, the British Royal Archives, and Flikr’s safe-search setting to curate a classroom-safe collection of topical photos in seconds.  There is no log-in, no registration, no fee or premium plan, and a zero learning curve. All you need to know is how to use a search bar and a download button.

Here’s how it works: Go to the Photos for Class website (no registration or log-in required), search your topic:

free online photos

…and then download the selected photo. Each downloaded photo includes an attribution and license detail.

online photos

There is no charge, no delay, and lots of choices.

In addition to photos, the site offers suggestions on citing and filtering photos, and a list of the top 250 searches.

Pros

Photos for Class is intuitive, easy-to-navigate, with child-safe content for even the youngest searchers. It makes it easy to develop good habits for properly citing online content.

If users find an objectionable image, they can report it to the site with the assurance that–if inappropriate–it will be removed from the site.

Cons

Besides downloading, photos can be saved with a right-click. This is a con only because they don’t include attribution. You have to add that yourself if needed–like with Flikr photos.

Insider Tips

Storyboard That’s premium service includes the ability to add photos from Photos for Class to Storyboard That projects. This is a great way to share your upcoming novel with authentic pictures in a way that people like to read. It’s a pleasant change from video trailers..

Writing applications

This is a great source of high-quality photos for your book marketing, your blog, or any other place you need pictures for your writing. It’s not as large as Pixabay but focuses on G-rated and kid-friendly. The thumbnails are big and bright. The search bar is prominent, and the results are fast.

More about online images:

Quick Search for Plagiarized Images

5 Image Apps

What Online Images are Free?


Jacqui Murray is the author of the popular Building a Midshipman, the story of her daughter’s journey from high school to United States Naval Academy, the Rowe-Delamagente thrillers, and Born in a Treacherous Timefirst in the Man vs. Nature saga. She is also the author/editor of over a hundred books on integrating tech into education, adjunct professor of technology in education, blog webmaster, an Amazon Vine Voice,  a columnist for TeachHUB and NEA Today, and a freelance journalist on tech ed topics. Look for her next prehistoric fiction, Survival of the Fittest, Spring 2019. You can find her tech ed books at her publisher’s website, Structured Learning

Top Tech for Writers

In case you missed this in April, here’s an article I wrote for Ronel (at Ronel the Mythmaker) for her T entry in the A to Z Challenge. I love talking tech but generally bore friends and family with it so was beyond excited when Ronel invited me to discuss it as much as I wanted.

These are five of my favorite tech tools for writers:

self edit1. A good editing program

Whether you’re self-published or agented, you want your manuscript as clean as possible. You can edit it yourself, use beta readers, or pray, but one more option to include in your toolkit is a good online editing program. Often, these ask you to copy-paste your text into a dialogue box on their website and they take it from there. Sometimes, you upload your entire manuscript. What they do varies from simply checking your grammar and spelling to analyzing pacing, word choice, and more. I like Grammarly for basics and AutoCrit for more detail.

See my Grammarly review here.

 

2. A digital deviceipad tips

I know lots of people who write the first draft of their novels with paper-and-pencil but almost always, the next version is completed on some sort of digital device. That might be a Mac, PC, iPad, Chromebook, laptop, or in some cases a dedicated word processor like the Retro Freewrite or Alphasmart. Pick one or more that work for you, doesn’t matter which as long as it’s digital and allows you to type and edit your manuscript.

See my reviews here for Chromebooks, iPads

 

3. Google Forms

Google Forms are an easy digital way to collect information from readers, sort it, and throw it into a spreadsheet. They’re professional-looking, intuitive, quick to create, and can be personalized to your needs. I use them to collect data for blog hops, curate my newsletter list, ask for feedback, sign up interested readers for an upcoming book, and more. There’s just no reason to struggle through this sort of design by yourself anymore.

See my Google Forms review and another form program I like, JotForms.

 

4. Canva

It’s hard enough writing a novel and bringing it to publication, without then being forced to also market it. That includes banners, logos, fliers, headers, announcements–yikes! Years ago, I knew I had to reform when my kindest beta reader wrote, “Is the flier supposed to look like that? No–really, I like it!” Right. I found Canva.com. Canva provides all the tools writers need to create headers, banners, Facebook placards, Twitter tweets, informal book covers, and the myriad of marketing materials that are part and parcel of publishing a book. It provides templates, size options, samples, even a design school–all for free. And it didn’t take long to get used. Now, I create what I need usually in less than five minutes. You heard that right. Try it out.

See my Canva review.

 

5. Book Trailer Program

Book trailers are quite popular because movies are a nice way to get readers excited about your book. If you’re creating your own, you want a program that is easy to use with a shallow learning curve, looks professional, and is as free as possible. I’ve seen a lot of options for this task, everything from Animoto to Tellagami to even a storyboard program like Storyboard That!

 

More tech for writers:

Best-in-Class Digital Storytelling Tools

8 Digital Tools for Writing

5 Must-have tools for Writers Conferences


Jacqui Murray is the author of the popular Building a Midshipman, the story of her daughter’s journey from high school to United States Naval Academy, the Rowe-Delamagente thrillers, and Born in a Treacherous Timefirst in the Man vs. Nature saga. She is also the author/editor of over a hundred books on integrating tech into education, adjunct professor of technology in education, an Amazon Vine Voice,  a columnist for NEA Today and TeachHUBmonthly contributor to Today’s Author and a freelance journalist on tech ed topics. You can find her books at her publisher’s website, Structured Learning. Look for her upcoming trilogy, Crossroads, eta Spring 2019.

What Authors Should Know About MS Sway?

Lately, among teacher-authors (these are teachers who also write), one of the most talked-about webtools is Microsoft Sway. Though fairly new, Sway may unseat PowerPoint as the presentation-tool-of-choice because Sway projects are visually appealing while minimizing the amount of time spent formatting.

What is Sway

Sway is free from Microsoft and part of Office 365 Education. It is an easier, more versatile alternative to the popular PowerPoint slideshow program. Using the Sway canvas, writers select a theme and then add notes and media. Sway organizes the content, suggests images and even data, and then helps the writer to quickly arrange everything into a comprehensive and fully-fleshed project. If the selected theme doesn’t work, simply click “remix” and get a different look. More advanced users can edit the pieces to fit particular colors and interests. When everything’s perfect, it can be shared, embedded, and/or published.

Sway accepts almost any file format including videos, PDFs, text, audio, images, native camera pictures, charts, audio clips, audio recordings, and links. A completed project can be embedded into any Office app (such as Excel, PowerPoint, or Word) and automatically updates with the original. Sway works in Windows, on iPads, iPhones, and desktops.

How to get started

  • Install the Sway app to your iPhone, iPad, Surface Pro, or use it on the web.
  • Create an account so you can collect all of your Sways in one place.
  • Click the “Create new” button or alternatively, create a Sway from a topic or an uploaded document.
  • Click to add new “cards” (these are content areas; you might think of them like slides in a PowerPoint deck). These are stacked to the right of the screen and easily moved by dragging-and-dropping. Each of these contains space for all content related to the theme of that card.
  • As you add content, Sway suggests web material that may be relevant and might be good additions to your document.
  • When your Sway is finished, add it to any site that accepts embed codes, send it out as a link, or share it to a variety of social media outlets.

Prosms sway for writers

It’s free — so much power for no money. That’s amazing.

It’s easy to use and has lots of automated options that take the stress out of being creative.

Sways are automatically saved, by default to the MS Office account you used for the sign-up.

Multiple people can collaborate on a Sway. All you have to do is send the Sway link to collaborators.

Sway will create a project from a theme. You type in the theme and Sway suggests text, pictures and more that fit that topic.

Cons

Sway requires a Microsoft account (but not Office 365). This isn’t bad, just one more place that requires a log-in.

While Sways can be shared on various social media or via an embed code that can be played in situ, other options aren’t as easy.

8 Writerly Uses for Sway

Here are some of the ways my teacher-author colleagues and I use Sway:

  1. Easily create quick book trailers that pop to share with your writing community.
  2. Create a linear website for your book with content that’s revealed with a flick of the finger.
  3. Create a website with your resume and/or writer’s portfolio.
  4. Research and collect notes in OneNote, then send that information to Sway to be mashed up as a presentation
  5. Write and format marketing materials. Input the text and then let Sway suggest images and other resources.
  6. Prepare any presentation, much as you might a PowerPoint.
  7. Create a themed newsletter quickly to share with your (GDPR-approved) mailing list.
  8. Create digital stories with a mix of text, images, and other multimedia pieces.
  9. Create a portfolio of artwork, poems, or writing that can be shared to showcase your work.
  10. Collaborate with your writing team on your WIP or marketing materials.

Overall, Sway does a great job of minimizing formatting in favor of writing — a real plus in today’s busy world.

More on writer’s tools


Jacqui Murray has been teaching K-8 technology for 15 years. She is the editor/author of over a hundred tech ed resources including a K-8 technology curriculum, K-8 keyboard curriculum, K-8 Digital Citizenship curriculum. She is an adjunct professor in tech ed, CSG Master Teacher, webmaster for four blogs, an Amazon Vine Voice book reviewer, CAEP reviewer, CSTA presentation reviewer, freelance journalist on tech ed topics, a weekly contributor to TeachHUB, and author of the tech thrillers, To Hunt a Sub and Twenty-four Days. You can find her resources at Structured Learning.

Labor Day 2018

We’re taking today off to enjoy the unofficial last day of summer.

Labor Day is meant to celebrate the contributions we all make to our country. Here at Today’s Author, we want to celebrate the contributions we all make with our creative efforts.  What better day to spend a few minutes, choose a prompt or two (or more) from our archive of Write Now prompts and enjoy the labors of all the talented authors in the Today’s Author community!

LaborDay

Interview with Dave Olner

IMG_20170518_162052070 1

Years ago, I belonged to a now defunct writing site called Authonomy. There, I workshopped my writing, learned to critique others, and, ultimately, found my publisher. Dave Olner was one of the writers I met there and his book, The Baggage Carousel was one of my favorites. I was so glad to see he recently published it and I had a bunch of questions for him that he was nice enough to answer.

Since Authonomy closed, have you found a comparable writing group?

I haven’t frequented a writing site since Authonomy shut up shop. I feel like I found it at the right time: as a clueless fledgling taking their first crack at writing a book. Some of the feedback I received there helped shape the finished manuscript immeasurably and I’m thankful for it. It was a case of separating the wheat from the chaff, though, because some of of the feedback I received there was dogshit, from people who didn’t know what they were talking about. People just like me! I had found a virtual peer group and it was a sad day when the site closed.

 

When did you decide you wanted to pursue publication? How did you find your publisher?

After completing the book I embarked on the well-trodden road of queries, subs and rejections. I garnered some initial interest in the manuscript, but nothing that ever came to fruition. When I’d exhausted all options, when I couldn’t find anyone else who would even spare the time to dismiss my work, I set the MS to one side and started on a second book.

Years later, I was contacted by Nathan O’Hagan, one of the non-dogshit people from Authonomy. Now a big-shot published writer, he babbled excitedly about a new indie publisher, Obliterati Press, he was setting up with another author, Wayne Leeming. He told me he remembered my book fondly and asked if I’d ever managed to get it placed. The short answer to that was No. The two of them agreed to consider the MS and…well, here we are.

 

Describe your writing process. Do you keep a journal?

Much to my shame, I’m not currently writing at all. I’d like to write but after work, sleep, feeding and occasionally washing myself there doesn’t seem to be much time left. Although, sometimes I get an idea for a short story and it starts to rankle me so much that I’m eventually forced to write it down. It’s like lancing a boil and finding a homunculus within.

I don’t keep a journal in my grim everyday existence, but I have done them whilst away on backpacking trips. I’d like to say these journals contained in-depth reportage of the places I’d visited, but I found an old one recently and most of the pages were filled with doodles of robots.

 

tbcIn The Baggage Carousel, the main character’s traveling is motivated by rootlessness and restlessness. The places he travels to seem so real. How have you researched these places? Are you affected by a similar wanderlust?

All the places mentioned in The Baggage Carousel are ones I’ve visited. Some of the events featured in the book are based on actual occurrences. For the purpose of the narrative, I expunged myself from those events and transposed the central character, Dan Roberts, into them. He’s a bit more of an arsehole than I am but, hopefully, a little more entertaining. So it was like a Spacey/Plummer situation, except in reverse.

 

Is this really your first book? How long did it take to write and when can we expect another?

Yes, it’s really my first book. I would not intentionally deceive you. It’s hard to tot up how long it took to write The Baggage Carousel, because it’s something I would set aside for months on end and then return to periodically, a scab I had to keep picking at. So, maybe soup to nuts was something like five years, but it wasn’t five years of continual slog. If anything, the MS was something I would revisit when I had a little time away from the continual slog.

I wrote a second book, “Munger”, a character study based on a sex-tourist I met on a bus in Thailand. He was a hideous man, really, but his voice got stuck in my head. Even after the inherent darkness of my first novel, I somehow managed to plumb new depths of depravity with my sophomoric effort. I honestly do not know if the world will ever want or need this novel, but I do know it was something I needed to write.

 

You can follow Dave at daveocelot@twitter.com and and check out his publisher, obliteratipress.com.