Write Now Prompt for March 31, 2015

Write_Now_Plane

At Today’s Author, our first goal is to get you (and us) to write. Write Now is our own collection of prompts to help you do that. With Write Now we’re not talking about writing, or trying to teach anyone how to write. Write Now is all about putting pen to paper.

Today’s Prompt:

Everyone assumed it was just another one of his crazy April Fool’s Day pranks.

Now_Write_Plane

How to play along with our Writing Prompts

  1. Write in any format or style you wish: short story, poem, script – whatever you like.
  2. Write for at least 5 minutes. There is no time limit – write for as long as you wish!
  3. Editing is not required, though we do recommend that you run a spell check at least.
  4. Post your work to your blog and include a link back here so your readers can find other writer’s work, too.
  5. Come back here and provide a link to your work on the Write Now! prompt for which it was written.
  6. Read other authors’ posts and leave constructive comments.

Important Note: When you post a draft of your work online, it may be difficult to find a publisher who will accept it, as many see an online document as being previously published. It may also be ineligible to be submitted for certain writing competitions. Always check publisher’s and competition guidelines before using a draft you put online.

The Writers Circle: Brushes with Fame

TWC
One of our goals here at Today’s Author is to help all of the writers among us to do what we love to do: write. One of the best ways to accomplish this is by talking to each other and learning from each other.  Our Writers Circle series is designed to do just that – provide a chance for us to discuss writing, editing and publishing questions.

This week’s topic is:

A few weeks ago we discussed what you might ask your favorite author if you had the chance. Today we’d like to know if you have ever interacted with a famous author. Did you meet in person? Interact over twitter? Receive comments from him or her on your blog?  Tell us what your interactions were like with this author in the comments below.

 

 

Write Now Prompt for March 27, 2015

Write_Now_Plane

At Today’s Author, our first goal is to get you (and us) to write. Write Now is our own collection of prompts to help you do that. With Write Now we’re not talking about writing, or trying to teach anyone how to write. Write Now is all about putting pen to paper.

Today’s Prompt:

Sometimes he answered the calls from the telemarketers just so he’d have someone to talk to.

Now_Write_Plane

How to play along with our Writing Prompts

  1. Write in any format or style you wish: short story, poem, script – whatever you like.
  2. Write for at least 5 minutes. There is no time limit – write for as long as you wish!
  3. Editing is not required, though we do recommend that you run a spell check at least.
  4. Post your work to your blog and include a link back here so your readers can find other writer’s work, too.
  5. Come back here and provide a link to your work on the Write Now! prompt for which it was written.
  6. Read other authors’ posts and leave constructive comments.

Important Note: When you post a draft of your work online, it may be difficult to find a publisher who will accept it, as many see an online document as being previously published. It may also be ineligible to be submitted for certain writing competitions. Always check publisher’s and competition guidelines before using a draft you put online.

Write Now Prompt for March 24, 2015

Write_Now_Plane

At Today’s Author, our first goal is to get you (and us) to write. Write Now is our own collection of prompts to help you do that. With Write Now we’re not talking about writing, or trying to teach anyone how to write. Write Now is all about putting pen to paper.

Today’s Prompt:

When the judge announced the jury’s decision there was a loud reaction in the courtroom.

Now_Write_Plane

How to play along with our Writing Prompts

  1. Write in any format or style you wish: short story, poem, script – whatever you like.
  2. Write for at least 5 minutes. There is no time limit – write for as long as you wish!
  3. Editing is not required, though we do recommend that you run a spell check at least.
  4. Post your work to your blog and include a link back here so your readers can find other writer’s work, too.
  5. Come back here and provide a link to your work on the Write Now! prompt for which it was written.
  6. Read other authors’ posts and leave constructive comments.

Important Note: When you post a draft of your work online, it may be difficult to find a publisher who will accept it, as many see an online document as being previously published. It may also be ineligible to be submitted for certain writing competitions. Always check publisher’s and competition guidelines before using a draft you put online.

You Don’t Talk So Good

talking“You don’t talk so good.” My toddler grandson inadvertently complimented me although I’d accidentally insulted him. My face blushed, I checked my grin. I’d caught his speech pattern accurately and pitched it back to him so well that he heard the clumsy language structure I’d heard in him. He didn’t recognize himself in my speech but he heard it. An authentic voice, caught on the fly, lodged in real time. A bit like glancing in a mirror and wondering who the hell is that stranger then realizing it’s the real me, without makeup.

That’s what we want when we write dialogue, a voice so accurate that we recognize the speaker, whether it’s ourselves or the transplanted Southerner who works down the hall, spoken with a drawl, “The new gal’s showing too much of her religion.” (Her skirt is way too short.) The VISA employee in India who answers the customer service line, in sing-song style with clipped consonants, “I would be veddy pleased to assist you, may I have your credit card number, please, as well your name and address?” (I’m going to pretend to help you but your question is above my pay grade, please do not ask for the supervisor.) The teenager who only speaks rap, sort of sung while sort of dancing with hand movements that mimic catching leaping toads, “I’m comin’ on extreme strong cuz my shadow is crazy long, you ain’t got no common sense to be gone, I know you is damn bogus wrong.” (Your guess is as good as mine.) The old lady who gestures when my dog poops on her grass, wheezed with the anger of self-righteousness, “I’m calling the dogcatcher on that filthy cur.” (Needs no translation.) What we don’t want to capture is the perfect locution of the English professor, as formal diction played out in actual conversation is phony – unless an English professor is talking in our book. My goal: making myself blush with recognition at the language I write.

Who knew that cleaning up could mean messing things up, scrambling perfectly good sentences into something I’d never say? I’m pretty good at dialogue but sometimes it’s too perfect. My English lit/creative writing background gets in the way of my stories by being too essay-correct. You’d never catch me saying, “Her and I went shopping,” so I never write in this colloquial context. Yet I hear that kind of error all the time and have consciously returned to a scene to write it in street speech, the way that real People speak, even if that People isn’t me.

I often speak in perfect past tense: “I would have gone shopping had it not been for a car accident.” Is that accident in a parking lot or in my brain? Real world, more publishable: “I would’ve went shopping but Ralph busted up the car.” Two grammar screw ups in one sentence, a verbal feast common to real speech, though the sentence wouldn’t earn high marks on a high school essay. Still, it’s the one to come out of a character’s mouth. Here’s another I’ve been heard to speak: “Behave yourself appropriately.” (Not only the English major here, but also the mommy/teacher – sheesh! My kids never had a chance!) Likely a better choice in a book: “Don’t do nothing bad.” Not only does this have more street cred, but it has the muscle of a real mother with its double negative threat.

Slang is a whole other exotic pet, one that’s as difficult to potty train as a Siamese fighting fish. You have to get yourself not only down on the street to listen to people speak what is often a local dialect but also one that’s transient and fickle – it ain’t gonna be ‘round long, bro, and by the time you get the hang of it, it be long outta use. Klutzy? Probably. I haven’t been hanging out at the local hotspots where young people congregate. Use slang craftily, minimally, to house your story in a specific place, at a particular moment in time. Avoid it otherwise or it will sound like ragtime at the opera.

Diction is our choice of words to express how our characters speak, both the style of language and the words themselves. Great dialogue shows off how close we are to our characters’ true personae and how tight we are with the culture that “produced” them. Of course we writers create the cast of our story. They are our virtual babies, but we have to write ourselves out of the scenes. Like sending our babies off to kindergarten, we don’t get to climb aboard the bus. Whether it’s the use of slang, dialect, garbled speech, accent, or idiom, our characters have to be true to the ducklings we’ve hatched.

Perhaps the most difficult part of conveying honest speech in a book is to say less, implant a red herring, or mean more. This is where the most highly skilled and insightful writers win top awards and earn loyal audiences. Clever dialogue reveals the worries, understanding, or ambitions of one character, and the evasion of the other who is listening but perhaps feigning sympathy or leading the first speaker astray. For examples, read Shakespeare, especially Hamlet. (Really, for examples, read Shakespeare. He was a playwright and a poet, but his use of dialogue to convey the whole world – I don’t care who the guy really was, he was brilliant, and a more dynamic and talented teacher you’d be hard pressed to find.)

For my own writing, I make progress when I slash the formal speech typed into my manuscript and replace it with something a reader can believe. I keep hoping that even if readers think I “talk funny,” they still believe in the characters who say those words. To be successful, I have to know the character in my book. I built him from the keys on my keyboard and the drifting nimbus in my head, and I have to know his history, quandary, and motivation. I have to know more about him than I write in order to make him authentic. Maybe just getting a single line of his dialogue absolutely right is worth a whole day’s effort fiddling with my manuscript.

 

Write Now Prompt for March 20, 2015

Write_Now_Plane

At Today’s Author, our first goal is to get you (and us) to write. Write Now is our own collection of prompts to help you do that. With Write Now we’re not talking about writing, or trying to teach anyone how to write. Write Now is all about putting pen to paper.

Today’s Prompt:

The first days of spring always felt special.

Now_Write_Plane

How to play along with our Writing Prompts

  1. Write in any format or style you wish: short story, poem, script – whatever you like.
  2. Write for at least 5 minutes. There is no time limit – write for as long as you wish!
  3. Editing is not required, though we do recommend that you run a spell check at least.
  4. Post your work to your blog and include a link back here so your readers can find other writer’s work, too.
  5. Come back here and provide a link to your work on the Write Now! prompt for which it was written.
  6. Read other authors’ posts and leave constructive comments.

Important Note: When you post a draft of your work online, it may be difficult to find a publisher who will accept it, as many see an online document as being previously published. It may also be ineligible to be submitted for certain writing competitions. Always check publisher’s and competition guidelines before using a draft you put online.

You: The Potential for Universality in 2nd Person Point of View

Last month, I wrote a post about second person point of view, and how this point of view is the ugly duckling to the ubiquitous and elegant 1st person and 3rd person points of view. Second person point of view is so sparingly used that I was hard-pressed at the time to find some examples of it, specifically in poetry. In the weeks since that post, I have found some 2nd person jewels.

For this post, I want to reflect on the value of second person point of view as a tool for rousing an audience, and inspiring a sense of kinship and unity. Rudyard Kipling’s poem “If—” does precisely that, using the second person pronoun “you” as a universal placeholder, as a way of welcoming the reader into a shared experience.

For those of you unfamiliar with the poem or who wish to revisit it, you can find it here: http://www.poetryfoundation.org/poem/175772

In this poem, Kipling does not use second person point of view as a way of imposing, in a negative or off-putting way, an emotion or experience on the reader (as this point of view so often runs the risk of doing); rather, his approach draws readers in, weaves them into a common experience. One of the ways he does this is by addressing pathos-driven topics and using emotive diction. He discusses dreams, lies, chaos, triumphs, disasters, self-possession, winning, and losing. He discusses our hearts, our desires, our deepest fears. Who hasn’t experienced fear? Who hasn’t dreamed of something larger than him/herself? Who hasn’t faced duplicity in another human being? The second person point of view works, in this case, because the poem deals with generalities, not specifics.

Take these lines as an example: “If you can bear to hear the truth you’ve spoken / Twisted by knaves to make a trap for fools . . .”

Kipling refers to truth, generally; knaves, generally; the verb twisted, generally (we do not know in what way twisted), and so on.

It’s not: “If you can bear to hear your opinions about the Affordable Care Act / Made fun of by your cousin twice removed.” There is less there for readers, as a whole, to latch onto. So, through the poem’s generality, readers can be find an easy place for themselves.

It bears mentioning that the last line of the poem identifies the “you” of the poem as the speaker’s son. For me, this is where the poem loses its universality. Kipling falters there—the poem, its message, and its ability to connect with its readers would be better served without that final line. That final line shifts the all-welcoming, all-encompassing usage of “you” and turns it back into what it is often accused of being: a narrow, alienating, imposing point of view.

Last line aside, this poem exemplifies the use of second person point of view as a tool for engaging an audience, in a way that the first person plural “we” doesn’t quite do, or perhaps, does differently. “You” is rousing; it requires and inspires action, attention, and connection.

Write Now Prompt for March 17, 2015

Write_Now_Plane

At Today’s Author, our first goal is to get you (and us) to write. Write Now is our own collection of prompts to help you do that. With Write Now we’re not talking about writing, or trying to teach anyone how to write. Write Now is all about putting pen to paper.

Today’s Prompt:

He was certain that this time there would be a pot of gold at the end of the rainbow.

Now_Write_Plane

How to play along with our Writing Prompts

  1. Write in any format or style you wish: short story, poem, script – whatever you like.
  2. Write for at least 5 minutes. There is no time limit – write for as long as you wish!
  3. Editing is not required, though we do recommend that you run a spell check at least.
  4. Post your work to your blog and include a link back here so your readers can find other writer’s work, too.
  5. Come back here and provide a link to your work on the Write Now! prompt for which it was written.
  6. Read other authors’ posts and leave constructive comments.

Important Note: When you post a draft of your work online, it may be difficult to find a publisher who will accept it, as many see an online document as being previously published. It may also be ineligible to be submitted for certain writing competitions. Always check publisher’s and competition guidelines before using a draft you put online.

The Writers Circle: Writing Tools

TWC
One of our goals here at Today’s Author is to help all of the writers among us to do what we love to do: write. One of the best ways to accomplish this is by talking to each other and learning from each other.  Our Writers Circle series is designed to do just that – provide a chance for us to discuss writing, editing and publishing questions.

This week’s topic is:

What tools do you use for writing – from planning to draft to final edits? What are the pros and cons of these tools and how do they help you keep organized with your writing? Do you use different tools depending on what style or type of writing you are doing?

Let’s discuss this in the comments and see what our community thinks.

Write Now Prompt for March 13, 2015

Write_Now_Plane

At Today’s Author, our first goal is to get you (and us) to write. Write Now is our own collection of prompts to help you do that. With Write Now we’re not talking about writing, or trying to teach anyone how to write. Write Now is all about putting pen to paper.

Today’s Prompt:

The weather forecasters had gotten it wrong again!

Now_Write_Plane

How to play along with our Writing Prompts

  1. Write in any format or style you wish: short story, poem, script – whatever you like.
  2. Write for at least 5 minutes. There is no time limit – write for as long as you wish!
  3. Editing is not required, though we do recommend that you run a spell check at least.
  4. Post your work to your blog and include a link back here so your readers can find other writer’s work, too.
  5. Come back here and provide a link to your work on the Write Now! prompt for which it was written.
  6. Read other authors’ posts and leave constructive comments.

Important Note: When you post a draft of your work online, it may be difficult to find a publisher who will accept it, as many see an online document as being previously published. It may also be ineligible to be submitted for certain writing competitions. Always check publisher’s and competition guidelines before using a draft you put online.